Big rumor has it that Live Nation and Ticketmaster are talking merger, thus bringing together the titans of concert promotion and artist management together with the titans of ripping concert-goers off by tacking on service fee after service fee.
To this I say, big deal. First of all the deal may not go through considering coroporate America is under a bit more scrutiny with a new president running the show. Second of all, haven't they been screwing us for decades already?
I mean, Ticketmaster has been the antichrist of the music industry since at least the mid-90s when Pearl Jam took them on. I don't know how Live Nation has been screwing us exactly, but I'm sure they have been too. Oh well. I'm convinced that the large scale music industry is just about done for anyway. Let it crumble so the indies can rise up and take things in the direction they should have been going in for years. Let the artists have the music back.
Bruce Springsteen, bless his sold-out heart, came out against this proposed deal, which good for him I guess, but I don't know how I feel about the Boss these days. He played a lackluster performance at the Super Bowl, where he let his songs be editted down for time and turned into a large scale karaoke party. On top of that, The E Street Band wasn't actually even playing! One day he looks like the rock poet laureate as he plays on the steps of the Lincoln Memorial for the Obama Inauguration. The next day he's sliding crotch first into the tv cameras as his legacy as a blue collar, working man's rock & roller, is cheesed up to the max for the benefit of NBC's tv ratings and the super rich who can afford tickets to the game. So thanks, but no thanks for voicing your opinion Bruce. Take a lesson from your idol Pete Seeger, who also graced the stage of the inauguration festivities, and walk the walk when you talk the talk.
But whatever. I'm done with the big scene. Sure occasionally something interesting will come out of the evil lair's of the major labels, but it's happening less and less frequently. Take a band like Fleet Foxes. They would never end up on a major label, but there they were stealing the show on SNL a couple of week's back. Sure they don't put up Lil Wayne numbers when it comes to the Billboard charts, but a band like this has longevity. Where the major labels are looking for quick flash in the pan superstars that they can make some money on, they miss the point of overlooking bands with real talent. Fleet Foxes have been gaining momentum gradually over the past year and will only continue to do so. The quick fix will bring you a couple of dollars up front, but then what happens when people get sick of the gimmick? They find a band like Fleet Foxes, that's what. Take the example of The Shins. People were talking about them in the indie world for quite sometime and then the movie Garden State propelled them even further. By the time they released their next album, not only were they huge on the indie scene, their album debuted at #1 on the Billboard charts.
But the thing with the major labels is that they've dug themselves too far down to be able to have patience for bands to gain momentum. The days of profit are gone for them and now they are in desperation mode. So to all of you indie labels, just keep doing what you're doing. Find credible talent and let them find their voice. The great thing about most indie labels is that they are run by people who actually know and actually love music. Those are the people who are going to rescue the industry.
So go ahead LiveTicketNationMaster, have your little merger. No one's going to care for that long anyway. Music was fine before you and will be fine after you as well.
Oh and not to be a broken record, but please subscribe to the podcast. I'm having a few technical difficulties with getting it up on iTunes, but once I find a decent hosting site, that should be taken care of. But the bands I feature on the podcast for this month represent what's good about the industry. Both The Shackeltons and Astral Feedback have the street cred of a working rock and roll band (you know, the street cred that Springsteen just lost). They are passionate about the music and are trying like hell to make it. And they care about their craft. They want to make good music and put a lot of sweat into doing so. Check them out on the podcast, but also go check them out online. If you like them, buy something. If you don't, find a different hard working band to support. Go to a show, buy a shirt. Support your local music scene!
myspace.com/astralfeedback
theshackeltons.com
...and scroll down and click on the link to get to the podcast!!!
Showing posts with label Bruce Springsteen. Show all posts
Showing posts with label Bruce Springsteen. Show all posts
Thursday, February 5, 2009
Wednesday, August 20, 2008
The Underappreciated Life of the Sideman
Being a sideman (or sidewoman as it were) is a tough gig.
A lot of times it's the sidemen who are the founders of the band. They are the originators of the band's sound and the secret life blood behind its success. But they are often overshadowed by the front man and/or lead guitarist. They watch as their band becomes associated with someone else. And that someone else gets all the glory and sometimes all of the money too. I read something from the always entertaining Lefsetz Letter blog that is often typical of what happens to a band. An unnamed band's sideman wrote in saying how his front man was getting all of the publishing royalties and not spreading the wealth around to the other members. While the front man was living a life of luxery, the sidemen continued to live the life more common to rock and roll bands--the life of near poverty and struggle. From the sounds of the letter, whatever band that this may have been is probably no longer a band anymore. Rock and roll lesson number one (or any genre for that matter): respect your sidemen.
I'm writing this particular blog today because of the passing of Dave Matthews Band saxophonist LeRoi Moore. I've never been a huge fan of Dave Matthews Band. I bought "Under the Table and Dreaming" when it came out and have liked a single here and a single there. But when I have enjoyed this band's music it's more of a credit to the sidemen than Dave himself. Frankly, Dave Matthews by himself is pretty dull. I thought his solo album was pretty lifeless. Why is it that this band is always a hit on the summer tour circuit? The band. I'm pretty sure Dave Matthews knows this as well. LeRoi Moore was the band's founder and one of the integral parts to its sound, which love it or hate it, is pretty original. When your audience is packed with both frat guy types and hippies you know you've accomplished something.
A sideman's passing is not as big of news as the passing of a front man, but from a musical standpoint is definitely no less important. The Who, to many, stopped being The Who after Keith Moon died in the early '80s. But to me it became official after John Entwistle died. Sure Pete and Roger were always more visible, but The Ox propelled this band forward with his outwardly calm demeanor, yet frantic, lead-style bass playing. The whole is only as good as the sum of its parts. That's how the saying goes, right? A band is only as good as each of the members that comprise it. Pete Townshend and Roger Daltry can tour around as The Who as much as they want, but they are no longer The Who without their most important sideman (and perhaps only sideman as the other three always found a way into the spotlight).
But that's the old story. That's the biopic script at least. Band starts as a tight unit struggling to the top then gains fame. Fame leads to the press honing in on the visible member or members of the band, while the rest get forgotten. This often leads to jealousy and/or resentment and often to the breakup of the band. There's the general outline of "The Doors" and "The Buddy Holly Story" and if I'm not mistaken, "That Thing You Do". What would rock and roll be without a Ray Manzarek for every Jim Morrison or a Big Brother and the Holding Company for every Janis Joplin.
It's not always so dramatic. Some frontmen truly know what they have. I think Dave Matthews does. I also think of the passing earlier this year of Danny Federici of The E Street Band. Bruce Springsteen has certainly had his fair share of success solo, but with the E Street band, he is electric! Maybe it's his working class roots, but The Boss understands the importance of the sidemen he employs. The sound of the E Street band is like no other. And yes it helps that Bruce Springsteen is one amazing songwriter, it also helps that he has a band that can fully realize the potential of the songs. Danny Federici played a huge part in that and Springsteen made that known after Danny's passing.
It's not always a bad thing being a sideman. The well-respected Nashville sidemen are talented musicians who make a good living off of playing on other people's albums. They get to do what it is that they are good at without the constant glare of the spotlight. The Buddy Miller's of the world are doing quite all right.
In fact one of my favorite bands of all time is a band comprised solely of sidemen. It is fitting that their name was The Band. They started as a backing band for Canadian rock and roll pioneer, Ronnie Hawkins. After gaining some notoriety as a talented group of musicians, Bob Dylan decided to hire them as his backing band as he transitioned from acoustic to electric. Fans booed their shows as they felt the poet/activist Dylan had betrayed them with this new sound. It's too bad they did. The music that was made between Dylan and The Band on these shows is absolutely amazing. It is a precurser of the outstanding work that they would do in their post-Dylan days. They were hard-working musicians, whose grasp and love of various styles of music, melded into some of the most influential music to come out of the late '60s and early '70s.
There was no frontman with The Band. You'd have Rick Danko taking vocals on one song, Levon Helm on another, and Richard Manuel on yet another. Robbie Robertson, who is generally credited with writing most of The Band's material (which is contested by some), added brilliant guitar work, while Garth Hudson jumped around from organs to saxophone to accordian to anything else imaginable, but with great skill just the same. The Band epitomize the importance of the sideman. That's what they were--amazing sidemen, who were the right combination of talent at the right time. The road took its toll on them, though. Maybe sidemen just aren't meant for the spotlight.
So here's hoping that people will take note of these overlooked elements of rock and roll. Would DMB be what it is today without the contributions of LeRoi Moore? I would venture to say, probably not. Would Bob Dylan still be touring successfully today without the help of the amazing band he has surrounded himself with? It sure wouldn't be as entertaining as it is.
A lot of times it's the sidemen who are the founders of the band. They are the originators of the band's sound and the secret life blood behind its success. But they are often overshadowed by the front man and/or lead guitarist. They watch as their band becomes associated with someone else. And that someone else gets all the glory and sometimes all of the money too. I read something from the always entertaining Lefsetz Letter blog that is often typical of what happens to a band. An unnamed band's sideman wrote in saying how his front man was getting all of the publishing royalties and not spreading the wealth around to the other members. While the front man was living a life of luxery, the sidemen continued to live the life more common to rock and roll bands--the life of near poverty and struggle. From the sounds of the letter, whatever band that this may have been is probably no longer a band anymore. Rock and roll lesson number one (or any genre for that matter): respect your sidemen.
I'm writing this particular blog today because of the passing of Dave Matthews Band saxophonist LeRoi Moore. I've never been a huge fan of Dave Matthews Band. I bought "Under the Table and Dreaming" when it came out and have liked a single here and a single there. But when I have enjoyed this band's music it's more of a credit to the sidemen than Dave himself. Frankly, Dave Matthews by himself is pretty dull. I thought his solo album was pretty lifeless. Why is it that this band is always a hit on the summer tour circuit? The band. I'm pretty sure Dave Matthews knows this as well. LeRoi Moore was the band's founder and one of the integral parts to its sound, which love it or hate it, is pretty original. When your audience is packed with both frat guy types and hippies you know you've accomplished something.
A sideman's passing is not as big of news as the passing of a front man, but from a musical standpoint is definitely no less important. The Who, to many, stopped being The Who after Keith Moon died in the early '80s. But to me it became official after John Entwistle died. Sure Pete and Roger were always more visible, but The Ox propelled this band forward with his outwardly calm demeanor, yet frantic, lead-style bass playing. The whole is only as good as the sum of its parts. That's how the saying goes, right? A band is only as good as each of the members that comprise it. Pete Townshend and Roger Daltry can tour around as The Who as much as they want, but they are no longer The Who without their most important sideman (and perhaps only sideman as the other three always found a way into the spotlight).
But that's the old story. That's the biopic script at least. Band starts as a tight unit struggling to the top then gains fame. Fame leads to the press honing in on the visible member or members of the band, while the rest get forgotten. This often leads to jealousy and/or resentment and often to the breakup of the band. There's the general outline of "The Doors" and "The Buddy Holly Story" and if I'm not mistaken, "That Thing You Do". What would rock and roll be without a Ray Manzarek for every Jim Morrison or a Big Brother and the Holding Company for every Janis Joplin.
It's not always so dramatic. Some frontmen truly know what they have. I think Dave Matthews does. I also think of the passing earlier this year of Danny Federici of The E Street Band. Bruce Springsteen has certainly had his fair share of success solo, but with the E Street band, he is electric! Maybe it's his working class roots, but The Boss understands the importance of the sidemen he employs. The sound of the E Street band is like no other. And yes it helps that Bruce Springsteen is one amazing songwriter, it also helps that he has a band that can fully realize the potential of the songs. Danny Federici played a huge part in that and Springsteen made that known after Danny's passing.
It's not always a bad thing being a sideman. The well-respected Nashville sidemen are talented musicians who make a good living off of playing on other people's albums. They get to do what it is that they are good at without the constant glare of the spotlight. The Buddy Miller's of the world are doing quite all right.
In fact one of my favorite bands of all time is a band comprised solely of sidemen. It is fitting that their name was The Band. They started as a backing band for Canadian rock and roll pioneer, Ronnie Hawkins. After gaining some notoriety as a talented group of musicians, Bob Dylan decided to hire them as his backing band as he transitioned from acoustic to electric. Fans booed their shows as they felt the poet/activist Dylan had betrayed them with this new sound. It's too bad they did. The music that was made between Dylan and The Band on these shows is absolutely amazing. It is a precurser of the outstanding work that they would do in their post-Dylan days. They were hard-working musicians, whose grasp and love of various styles of music, melded into some of the most influential music to come out of the late '60s and early '70s.
There was no frontman with The Band. You'd have Rick Danko taking vocals on one song, Levon Helm on another, and Richard Manuel on yet another. Robbie Robertson, who is generally credited with writing most of The Band's material (which is contested by some), added brilliant guitar work, while Garth Hudson jumped around from organs to saxophone to accordian to anything else imaginable, but with great skill just the same. The Band epitomize the importance of the sideman. That's what they were--amazing sidemen, who were the right combination of talent at the right time. The road took its toll on them, though. Maybe sidemen just aren't meant for the spotlight.
So here's hoping that people will take note of these overlooked elements of rock and roll. Would DMB be what it is today without the contributions of LeRoi Moore? I would venture to say, probably not. Would Bob Dylan still be touring successfully today without the help of the amazing band he has surrounded himself with? It sure wouldn't be as entertaining as it is.
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